Image of person on bike looking at mountains in front of them
Illustrations by Shane Rebenschied

Stay or Go?

It’s the toughest decision he’ll ever make.

By Kristin Lewis
From the March 2023 Issue

Learning Objective: to analyze descriptive writing in a work of short fiction, then practice writing descriptively

Lexile: 680L
Other Key Skills: inference, figurative language, character, conflict, key ideas and details
SPOTLIGHT ON: DESCRIPTIVE WRITING

vivid language that helps you imagine the world of a story

Adrian was bending down to brush the thistles off his socks when he saw something shiny in the dirt. At first, he thought it was a quarter. He expected it to be burning hot from sitting in the sun all day. But when he picked it up, it was cold as ice. 

This was no quarter, he realized. Sure, it was silver-colored and a quarter’s size and shape. But it had no markings, except one: a spiral so small you had to squint to see it.

If this were a movie, Adrian thought, this would be the moment the drumbeat began. It would start low and get louder—a drumbeat crescendo. But a crescendo to what? Could he really have found the thing Aunt Lorna had been searching for his entire life? 

His eyes scanned the desert. In the distance, a cloud of dust bloomed upward; someone must be dirt biking. Beyond that, the mountains rose steeply, their sky-bound peaks white-tipped even as the valley floor sizzled. He breathed deeply and could almost taste the cactus. If he listened very closely, he could hear the sound of traffic from town murmuring on the wind.

For a moment, he considered dropping the thing back in the dirt, maybe burying it. Then he wouldn’t have to make the decision. 

Instead, he tucked the object into his pocket, got back on his bike, and pedaled as fast as he could.

An hour later, Adrian arrived at Aunt Lorna’s house. Aunt Lorna was one of those women who could be 35 years old—or 350. She had bright pink hair, which she wore in a towering bun. Her house was a small cottage carved into the side of a rock. Wildflowers always blossomed outside her door. Of course, they weren’t real wildflowers. They were a kind of fungus from back home. Aunt Lorna used them to make a tonic, which they all drank to keep their bones from crumbling. But only the Travelers knew the bright blue and purple and orange flowers weren’t from here.

Adrian knocked on the door.

“Aunt Lorna?”

He thumbed the thing in his pocket. 

“Aunt Lorna?” he tried again, louder.

“Come in, Adrian!” a voice called.

Adrian walked into the entryway. The Travelers loved Aunt Lorna, and not just because she had figured out how to make a lemonade that didn’t upset their sensitive digestive systems. Aunt Lorna had a way of understanding you—sometimes before you understood yourself. 

“So you’ve found it,” she whispered, stepping around the corner. 

“How did you know?” 

Aunt Lorna smiled, and Adrian realized he was holding the thing in the palm of his hand. 

“Let’s have a look, shall we?”

He handed it to her and followed her into the living room. She flicked on a lamp, and the dust that always hung in the desert air shimmered like thousands of fairy wings. 

“Who else knows about this?” she asked.

“No one. I came straight here.”

“Good.” 

She pressed a button under the table, and one of the walls lifted to reveal another room—a secret room—that Adrian had known about for as long as he could remember. They stepped inside and approached a blue computer console that stretched from the floor to the ceiling. Aunt Lorna dropped the thing into a slot next to a monitor. 

The screen sputtered to life. Words appeared, but Adrian could not decipher them. 

“We should have taught you our language, Adrian. Your language,” she sighed. “At least you’ll have plenty of time to learn on the voyage.”

“What does it say?” he asked.

Aunt Lorna opened her mouth and said something in her language, a low-pitched gurgle that reminded Adrian of flowing water. 

Water. That’s what we came for, Adrian recalled. He had heard the story from some of the Travelers, how they had come here for water after their supply had been destroyed in an accident, how they had crash-landed, how his parents had been on another ship and no one knew what had happened to them. The Travelers had told Adrian the story when he was old enough to realize he wasn’t like other kids at school—that he’d been hatched, not birthed, that he had three hearts, not one, that his life span was 50 times longer than a human’s. 

But that was more than a decade ago. They’d been stranded for so long, most Travelers had given up on leaving, choosing instead to live as humans. 

Not Aunt Lorna. She built her house in the desert and worked tirelessly to fix the ship, scavenging for parts from the humans’ primitive technology. All she needed was the key; it had been lost when they’d crashed. 

Now, thanks to Adrian, she had it.

“What’s next?” Adrian asked.

“We call the others.”

“And then?”

Aunt Lorna pointed toward the sky as a smile spread across her face. Adrian had never seen her smile like that. 

Adrian’s hearts thumped with excitement. At the same time, he felt a twinge of sadness. Could Aunt Lorna’s real home—not this one, with its mountains and cactuses and dirt bikes—ever be home to him too?

“You want to stay,” she said, reading his expression. 

“It’s my choice, isn’t it?”

“You understand what will happen.”

“I do.”

“They will learn your secret, eventually.”

“Perhaps they will. Perhaps they won’t.”

“And when everyone you love is gone and you, Adrian, remain—alone and fading like a dying star? What will you do then?”

“I . . .” Adrian’s voice cracked, his resolve faltering. 

Two months later, late at night, 182 Travelers converged in the desert. One by one, they stepped inside the ship. Some were crying. Some were laughing. Some were in a daze. 

Adrian stood at the end of the line. He moved closer to the ship until he was the only one who hadn’t boarded. Turning back, he looked at the desert unfolding into the horizon beneath a sky vibrating with starlight. It was the most beautiful thing he’d ever seen.

Writing Prompt

Do you think Adrian stays—or goes? Write a short story about what happens next. In your sequel, use descriptive language to bring the characters and setting to life. 

This story was originally published in the March 2023 issue.

Audio ()
Activities (10)
Answer Key (1)
Audio ()
Activities (10)
Answer Key (1)
Step-by-Step Lesson Plan

Close Reading, Critical Thinking, Skill Building

Essential Questions: How do we make difficult decisions? What is the meaning of  homeHow do authors bring their stories to life?

1. PREPARING TO READ (5 MINUTES)

Preview Vocabulary (5 minutes)

  • Project Vocabulary: Definitions and Practice. Review the definitions as a class. Highlighted words: converged, crescendo, decipher, faltering, primitive, tonic. Optionally, print or share the interactive link directly to your LMS and have students preview the words and complete the activity independently beforehand. Audio pronunciations of the words and a read-aloud of the definitions are embedded in the interactive slides.

2. READING AND DISCUSSING (45 MINUTES)

  • Read the “Spotlight On” box on page 26 or at the top of the digital story page. Tell students that the author uses vivid language—that is, language that produces powerful feelings or strong, clear images in the mind—to describe the story’s setting and characters. 

  • For students’ first read, have them follow along as they listen to author Kristin Lewis read her story aloud. The audio read-aloud is located in the Resources tab in Teacher View and at the top of the story page in Student View.

  • Have students reread and annotate the story independently. Here are some symbols you might have them use: 

  •    🍿 = movie moment (details that form images in your mind as you read or that make you feel like you’re living in the story)

       💙 = love this

       ⭐ = important

       ❓ = I don’t understand

        💭 = I’m thinking . . .

  • Alternatively, have students complete a double-entry journal during their reread. In their journals or on a piece of paper, have students create a T-chart. In the left-hand column, have them record vivid language or sensory details: words, phrases, or lines that speak to the five senses of sight, smell, touch, sound, and taste. In the right-hand column, have them record their reactions to these details with illustrations, questions, comments, connections, or analysis. (You can find both a print and digital version of the Double-Entry Journal handout in the Resources tab.)
  • Movie Moments/Sensory Detail examples:
    • Touch: “brush the thistles off his socks”; “He expected it to be burning hot from sitting in the sun all day. But when he picked it up, it was cold as ice”; “even as the valley floor sizzled”; “He thumbed the thing in his pocket.”
    • Sound: “If this were a movie, Adrian thought, this would be the moment the drumbeat began. It would start low and get louder—a drumbeat crescendo”; “If he listened very closely, he could hear the sound of traffic from town murmuring on the wind”; “Aunt Lorna opened her mouth and said something in her language, a low-pitched gurgle that reminded Adrian of flowing water”; “The screen sputtered to life.”
    • Sight: “A cloud of dust bloomed upward”; “The mountains rose steeply, their sky-bound peaks white-tipped”; “She had bright pink hair, which she wore in a towering bun”; “She flicked on a lamp, and the dust that always hung in the desert air shimmered like thousands of fairy wings”; “He looked at the desert unfolding into the horizon beneath a sky vibrating with starlight.”
    • Taste: “He breathed deeply and could almost taste the cactus.”
    • Smell: n/a
  • Divide students into groups to discuss their annotations or double-entry journals. Then reconvene as a whole group and pose the following questions, some of which may draw on students’ reading responses and group discussions. (If you prefer to have students answer these questions in writing, there is a print and digital Discussion Questions activity in the Resources tab.) 

Discussion Questions (25 minutes)

  • What clues does the author give you in the first two sections that the Travelers are not of this world? (inference) Students may say the fact that a quarter-like object was ice cold even though it was sitting on a sizzling-hot desert floor suggests that something supernatural or not of this world is at play. It becomes clear that the Travelers are not human or of this world when the narrator describes the fungus Aunt Lorna used from “back home” to make a tonic that all the Travelers drank “to keep their bones from crumbling” and that she figured out how to make a lemonade that “didn’t upset  their sensitive digestive systems.” Students may also say that upon finishing the story, it was clear that the line “Aunt Lorna was one of those women who could be 35 years old—or 350” was a clue; given that the Travelers can live 50 times as long as humans, Aunt Lorna may literally have been 350 years old.
  • Consider this line: “If this were a movie, Adrian thought, this would be the moment the drumbeat began. It would start low and get louder—a drumbeat crescendo.” What does Adrian mean? How does he feel when he picks up the object? (figurative language) This comparison reveals that Adrian knows the moment of finding the object is monumental—a moment of great importance when everything will change.
  • Why does Adrian consider dropping the object he finds back on the ground or burying it? (character) Adrian considers dropping the object on the ground or burying it because he realizes giving the object to Aunt Lorna will mean leaving Earth to return to his home planet, and he isn’t sure he wants to go.
  • Adrian says that Aunt Lorna has a way of understanding you—sometimes before you understand yourself. Where in the story does Aunt Lorna show this ability? (character) Aunt Lorna shows this ability when she reads Adrian’s expression and says, “You want to stay.” She understands how conflicted Adrian is about leaving, without him saying anything.
  • Why is Aunt Lorna worried about Adrian staying behind? How does Adrian seem to feel about her concerns? (conflict) Aunt Lorna is worried about Adrian staying behind for two reasons: She thinks the humans will find out that Adrian is not of this Earth, and she fears that he will come to regret his decision after all the humans he currently knows and loves are gone. Adrian doesn’t seem too concerned about the humans learning his secret; he says, “Perhaps they will. Perhaps they won’t.” He does seem shaken and upset, however, after Aunt Lorna voices her second concern. His voice cracks, he is unable to respond, and his resolve falters.
  • Consider how the Travelers are acting as they board the ship at the end of the story. What does their behavior suggest about how they feel? (inference) The Travelers are exhibiting a wide range of reactions—some are crying, some are laughing, some are in a daze. These varied reactions suggest that while some Travelers are excited to finally return to their real home, others, like Adrian, may feel conflicted about leaving Earth, the place they’d come to accept as home. And perhaps some simply feel overwhelmed.
  • Explain the meaning of the title and the tagline. (key ideas and details) The title refers to the decision Adrian faces in the story: to stay on Earth or return to the Travelers’ home planet. The tagline refers to how difficult this choice will be. Earth is where Adrian has lived most of his life and he clearly loves it, but staying means risking discovery, losing the Travelers, and outliving everyone he loves. In addition, staying likely means never finding out what happened to—and possibly reuniting with—his parents.
  •  If you were Adrian, would you stay or go? Why? Answers will vary.

3. SKILL BUILDING AND WRITING (30 MINUTES)

  • Have students complete the Narrative Writing Planner. This activity will help them organize their ideas in preparation for the writing prompt on page 27 in the printed magazine and at the bottom of the digital story page.

  • Alternatively, have students choose a culminating task from the Choice Board, a menu of differentiated activities.

4. CONNECTED READING

Text-to-Speech