*Stage Directors 1, & 2 (SD1 & SD2)
Ravens 1, 2, 3, 4
*All Ravens: to be read by a group
*Villain: the teller of the tale
*Old Man: the villain’s housemate
A story of murder and madness
Based on the classic work by Edgar Allan Poe.
Learning Objective: to explore how the author creates a suspenseful mood
Prologue
SD1: A small light appears on a dark stage, casting long shadows.
SD2: All is still and silent until—
SD1: —a great flapping sound echoes across the stage.
All Ravens: Caw, caw, caw!
Raven 1: Back in the days of carriages and candlelight . . .
Raven 2: Of top hats and tuberculosis . . .
Raven 3: There was a man named Edgar Allan Poe.
Raven 4: He was the master of bloodcurdling tales.
Raven 1: Poe wrote about murder and morgues . . .
Raven 2: Gargoyles and graveyards . . .
Raven 3: And this tale, about a man fallen into madness.
SD2: A thin, pale man steps out of the shadows.
Villain: Madness? I am not mad.
All Ravens: Caw, caw, caw!
Villain: You do not believe me, I can tell. But it’s no matter. I shall prove it to you.
SD1: Ravens fly around—more and more of them—until the stage is filled with flapping wings.
SD2: When the stage clears, the man is gone.
All Ravens: And thus begins our grisly tale.
Scene 1
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D1: An old man sits propped up on pillows in a large wooden bed. Pale sunlight filters in through the window.
SD2: A large raven is perched on the headboard. Three others sit on the footboard.
SD1: The old man is not, however, aware of the birds. It is as though they are invisible.
Old Man (weakly): Would you kindly bring me some tea?
Villain (offstage): Of course. I’ll be right there, with the morning paper too.
Old Man: Thank you very much.
SD2: The villain walks in, carrying a tray.
Old Man: You do not look well today. Did you get any sleep last night?
Villain: I am fine, old man. If anything, my senses are especially keen.
Old Man: Is it a headache? Let me fix you something.
Villain: No, no. You just enjoy your tea.
All Ravens: Such a kindhearted old man.
Villain (to the audience): ’Tis true. The old man had never done me harm. But he had this one sickly eye—pale blue with a hideous film over it. It was like the eye of a vulture. When it looked at me, my blood ran cold.
SD1: The villain turns his head back toward the old man, who sits placidly drinking his cup of tea.
Villain: So I made up my mind to kill him.
All Ravens: He made up his mind!
Villain: I was not crazy. (louder) It was his evil eye. It mocked me. (even louder) It haunted me! (shouting) I had to rid myself of that evil eye!
SD2: He runs from the room. The ravens follow.
Scene 2
SD1: The stage is dark and silent, save for gentle snoring.
Old Man: Sssssnnnuuhhh . . .
SD2: Slowly—ever so slowly—the bedroom door opens. The villain skulks into the room holding a lantern.
Villain (to the audience): Night after night, I crept into the old man’s room.
All Ravens: Night after night, he shone a sliver of light upon the eye.
Villain: But every night, the eye was closed. So I waited. After all, it was not the old man who vexed me. It was his eye.
All Ravens: His evil eye!
Villain: On the eighth night—
SD1: The villain accidentally bumps into the old man’s dresser.
SD2: The old man sits up suddenly.
Old Man: Who’s there?
SD1: The villain freezes.
Villain: For an hour I stood still, hardly breathing. I sensed, all the while, the old man listening. And then . . .
SD2: The old man begins to groan.
Old Man: Ohhhhhhh . . .
Villain: It was the groan of mortal terror, a low stifled sound from the bottom of his soul.
All Ravens: Ohhhhhhh . . .
Villain: I shone my light upon the eye. And—
All Ravens: It was open!
Villain: Wide, wide open! It chilled the very marrow in my bones! And then I heard it.
Heart: Thump-thump, thump-thump, thump-thump.
All Ravens: The beating of the old man’s heart!
SD1: Eyes wide, mouth agape, the villain remains still.
Villain: The heart beat faster and faster.
All Ravens: Louder and louder.
Heart: Thump-thump, thump-thump, thump-thump.
Villain: My rage boiled over! I could stand it no longer! I leapt.
All Ravens: Ahhhhhh!
Villain: Ahhhhhh!
Old Man: Ahhhhhhhhhhhhhhh!
SD2: The stage goes dark. A few seconds pass.
SD1: Then a small light comes up on the villain.
Villain: I smiled when the deed was done. Yet for many minutes, the old man’s heart beat on.
Heart: Thump-thump, thump-thump . . .
Villain: When finally it ceased, I examined the corpse. The old man was dead. Stone dead.
Raven 4: It was over.
Raven 1: The heart was still.
Raven 2: The eye was closed.
Raven 3: Forever.
Villain: The eye would trouble me no more.
Allan Davey
Scene 3
UniversalImagesGroup/Getty Images (Edgar Allan Poe)
What Was Poe?
Edgar Allan Poe (1809-49) is known as the creator of the modern horror story. Many of his poems and stories touch on themes of death, madness, love, and grief.
SD2: There is a loud knock in the dark.
SD1: The lights come up to reveal a comfortable parlor.
SD2: The villain hums lightly as he crosses the stage to the front door. Opening it, he finds three police officers.
Villain: Good morning, gentlemen. I hope nothing is wrong?
Officer: There has been a complaint.
Sergeant: Your neighbors.
Constable: They complained.
Villain: Did they, now?
Officer: A scream was heard.
Sergeant: Like this: “Ahhhhhh!”
Constable: Yes: “Ahhhhhh!”
Villain: Ah, I see.
SD1: The villain smiles.
Villain: I must confess: The shriek was my own, uttered during a most distressing dream.
Officer: May we come in?
Sergeant: Look around?
Constable: Investigate?
Villain: Yes, of course.
SD2: The villain opens the door. The men walk in.
Villain (to the audience): I was not worried, for I had concealed the body beneath the floorboards. No eye—not even his—could have detected anything. There was no stain, no blood. I had been too clever for that.
Officer: Who else lives here with you?
Sergeant: Yes, with whom do you live?
Constable: And why isn’t he here?
Villain: Ah, the old man. He is off to the country for a bit of rest. Would you care for a look around his room?
Officer: We would.
Sergeant: Quite so.
Constable: Yes, please.
Villain: After you, then, gentlemen.
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Scene 4
SD1: The villain watches as the policemen examine the old man’s bedroom.
SD2: The bed is neatly made and nothing looks out of place—
SD1: —except the four ravens perched on the old man’s bed. But these no one sees.
Officer: Well, everything looks fine here to me.
Sergeant: Nothing out of the ordinary.
Constable: Everything quite within the ordinary, I’d say.
Villain: Care to join me for a cup of tea before you go? I was just making some when you knocked.
Officer: A cup of tea?
Sergeant: That would be lovely.
Constable: Yes, lovely.
SD2: The villain leaves the room.
Officer: Nice fellow.
Sergeant: Yes, quite.
Constable: Indeed.
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Villain (holding a tray): Here we are, gentlemen! (to the audience) Yes, I served them tea. For what had I to fear? I served them tea above the very spot where I had hidden the corpse!
Officer (sipping): Ah, this is fine tea.
Sergeant: They say tea is good for you.
Constable: English Breakfast is my favorite.
Villain (to the audience): I had fooled the officers well. Tell me, could a madman have done that?
All Ravens: But soon our villain wished them gone.
Raven 4: See how pale he has grown.
Raven 1: See how he fidgets.
Raven 2: See how he sweats.
Villain (to the audience): Why wouldn’t they leave?
Officer: Lots of strange things happening around here these days.
Sergeant: People acting oddly.
Constable: Something’s in the air.
Villain: Then there came a ringing in my ears.
All Ravens: A muffled buzzing sound.
Heart: Buzz . . . buzz . . . buzz . . .
Officer: The countryside must be nice this time of year.
Sergeant: Yes—peaceful, I’d say.
Constable: What with the fall foliage and all.
Heart (louder): Buzz . . . buzz . . . buzz . . .
SD1: The villain looks around, searching for the noise.
Raven 3: It wasn’t a buzzing at all.
Raven 4: It was a ticking.
Heart: Tick, tick, tick . . .
Raven 1: Like that of a watch,
Raven 2: Or a clock,
Raven 3: Or a bomb.
Heart: Tick, tick, tick . . .
SD2: The villain stands and begins to pace.
Villain: They blathered on as if nothing were wrong!
Officer: A walk in the woods, why, it clears the mind.
Sergeant: Much like this delicious tea.
Constable: Yes, it’s good for the soul.
Heart: Thump-thump, thump-thump—
Villain: Couldn’t they hear it?
SD1: The villain clutches his head and covers his ears.
Officer: Why do they call it “English Breakfast”?
Sergeant: Something to do with the English, I imagine.
Constable: Is there such a thing as English Lunch tea?
Heart: Thump-thump, thump-thump, thump-thump.
SD2: The villain paces faster. Then he suddenly stops.
Villain: Then it came to me. They knew! They were mocking me with their innocent smiles and polite sips of tea!
All Ravens: Oh, the agony!
Heart: Thump-thump, thump-thump, thump-thump.
Officer: Well, we should be getting back to the station.
Sergeant: Yes. It is time for us to go.
Constable: Thank you for the tea, young man.
Villain: I can bear it no longer!
All Ravens: He could bear it no longer!
Heart: Thump-thump, thump-thump, thump-thump.
Villain: Cruel monsters, dissemble no more! I did it! I confess! Tear up the floor! Here! Here! It is the beating! It is the beating of the old man’s hideous heart!
SD1: The officers leap to their feet and rush toward the villain as the ravens fly around the stage in a frenzy.
All Ravens: Caw, caw, caw!
SD2: The lights fade to black and all falls still.
Writing Prompt
How does the author create a suspenseful mood in The Tell-Tale Heart?
Support your ideas with text evidence.
This play was originally published in the October 2025 issue.
Essential Questions: What makes a story suspenseful? How can guilt affect our behavior? How do authors create mood?
1. Prepare to Read
(20 minutes)
Watch a Video (5 minutes)
Watch the “The Amazing Life of Edgar Allan Poe” video to introduce students to the famous author of the short story on which the play they are about to read is based. After watching, give students a few minutes to share anything they found particularly interesting or surprising, or anything the video made them curious about.
Explore Suspense (5 minutes)
Write “What is suspense?” on the board. Brainstorm the answer as a class before reviewing the definition: a feeling of nervousness or excitement caused by wondering what will happen. Ask students to share examples of real-life situations that might be suspenseful (such as watching the final 10 seconds of a close basketball game) as well as examples of suspense from their favorite books, movies, and shows.
Preview Vocabulary (10 minutes)
Project the Google Slides version of Vocabulary: Definitions and Practice on your whiteboard. Review the definitions and complete the activity as a class. Highlighted words: dissemble, grisly, keen, mortal, placidly, skulks, vexed. Audio pronunciations of the words and a read-aloud of the definitions are embedded on the slides. Optionally, print the PDF version or share the slideshow link to your LMS and have students preview the words and complete the activity independently before class.
2. Read and Discuss
(55 minutes)
Invite a volunteer to read the As You Read box on page 21 or at the top of the digital story page.
Assign parts and read the play aloud as a class.
Divide students into groups to discuss the following Discussion Questions, which are also located in the Resources tab.
Discussion Questions (30 minutes)
1. Describe the mood of the prologue. Which words and phrases help build that mood? (mood, author’s craft) Answers will vary. The mood is spooky. Words like “long shadows” and “a thin, pale man” create an unsettling feeling. The references to “bloodcurdling tales” and “murder and morgues” hint that the story will be creepy and disturbing. The ravens help build an eerie mood as well by talking in unison and appearing and disappearing.
2. Based on his description of the Old Man in Scene 1, what can you tell about the Villain’s state of mind? (character, inference) The descriptions of the Old Man in Scene 1, including him “placidly drinking his cup of tea” and asking after the Villain’s well-being, depict him as a gentle, kind man. The Villain says that the Old Man “had never done me harm,” but he still decides to kill him because of his eye. This shows that the Villain is not thinking logically. He sees the eye as “evil” and says it “haunted” him. The Villain’s actions show that he is not in control of his thoughts, even though he insists he is sane.
3. In Scene 2, the Villain says that looking at the Old Man’s eye “chilled the very marrow in my bones!” What does this expression mean? (figurative language) This line shows just how deeply disturbed the Villain feels when he sees the Old Man’s eye. The marrow is the inside part of a bone, so saying something “chilled” it means that the fear or disgust went very deep.
4. Mundane means unimportant, dull, or boring. What makes the dialogue between the Officer, Sergeant, and Constable in Scene 4 mundane? What purpose does their dialogue serve in the play? (character, author’s craft, text structure) The dialogue between the Officer, Sergeant, and Constable in Scene 4 is mundane because they are talking about unimportant things such as the seasons and tea. The purpose of their dialogue is to create tension. The combination of the characters’ mundane comments and the beating of the Old Man’s heart begins to agitate the Villain more and more as the scene progresses. Eventually, the Villain convinces himself that the characters are mocking him with their polite conversation, leading him to confess to his crime of killing the Old Man.
5. The ravens are not part of Poe’s original story. How do they contribute to the mood and to our understanding of the story? (mood, author’s craft) The ravens add an eerie quality, partly because ravens are often associated with death. The ravens also offer the reader a clue about the Villain’s state of mind: He appears to be the only character who is aware of the ravens. Clearly, his reality is different from that of the other characters. The ravens also emphasize the Villain’s emotions by repeating his statements. (In addition, the ravens are an allusion to Poe’s famous poem “The Raven.”)
6. What is the effect of the Villain speaking directly to the audience throughout the play? (author’s craft) When the Villain speaks directly to the audience, it makes the play feel more personal and intense. It draws us into his thoughts, almost like we’re inside his mind. This technique makes the audience question whether to trust him, especially since he insists he’s sane while describing very disturbing actions. It also builds suspense because we know what he’s thinking before the other characters do. The direct address makes his breakdown feel more real and immediate, almost like we’re witnessing his guilt take over in real time.
3. Go Deeper: Comparing Texts
(30 minutes)
Have students listen to our immersive read-aloud of the original short story, “The Tell-Tale Heart.” Have students compare and contrast the play version of the story with the original story by Poe. (Alternatively, you could have students listen to the original story first!) The immersive read-aloud is located in the Resources tab in Teacher View and at the top of the story page in Student View.
4. Write About It: Author’s Craft
(30 minutes)
Watch the “What’s the Mood?” video to explore what mood is and how it’s created. Optionally, pass out our Mood Words handout, which includes a bank of words to help students identify mood in any text.
Have students complete the Featured Skill Activity: Author’s Craft. This activity will prepare them to respond to the writing prompt on page 24 in the printed magazine and at the bottom of the digital story page:
How does the author create a suspenseful mood in The Tell-Tale Heart? Support your ideas with text evidence.
Alternatively, have students choose a task from the Choice Board, a menu of culminating tasks. Our Choice Board options include the writing prompt from the magazine, differentiated versions of the writing prompt, and additional creative ways for students to demonstrate their understanding of a story or article.
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