Illustration of seamstresses taking the emperor's measurements
Art by Michael Byers

The Emperor’s New Clothes

The story of a truly fantastic new outfit

By Spencer Kayden, based on the fairy tale by Hans Christian Andersen

Learning Objective: to synthesize ideas from a play and an informational text

Lexile (captions only): 1280L
Other Key Skills: character, inference, text structure, tone, critical thinking, theme, key ideas

Story Navigation

AS YOU READ

Why don’t more characters in the play speak up?

 Scene 1

A Hall in the Imperial Palace

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SD1: A group of courtiers walk to and fro, chatting quietly while a man plays a lute in the corner.

SD2: Suddenly, a trumpet blares.

SD3: A hush falls over the room as the Emperor steps in.

SD1: He wears a lavish robe adorned with rubies and sapphires that clink as he walks.

SD2: The courtiers bow low to him.

Emperor: So . . . ?

Courtier 1 (looking up uncertainly): Sire?

Emperor: How do I look?

All Courtiers (clapping): Ooh . . . aah . . . ooh!

Courtier 2: Simply divine, sire!

Courtier 3: The gold embroidery is the finest I’ve seen.

Courtier 1: Of the five royal outfits you’ve worn today, this one is by far the . . . uh . . . shiniest!

Lord Chancellor (with a sigh): And it is by far the most expensive.

SD3: The Emperor catches his reflection in a mirror and smiles at himself.

SD1: A few courtiers whisper to one another.

Courtier 2: The Emperor sure loves his fancy clothes.

Courtier 3: Why shouldn’t he? He is the ruler.

Courtier 1: His vanity is known throughout the empire.

Lord Chancellor (to himself): A dangerous trait, vanity.

 Scene 2

Outside the Palace

SD2: Near the palace doors, two people speak quietly.

Tailor 1: I hear he spends a fortune on his shoes. 

Tailor 2: And on his hats and shirts.

Tailor 1: I’m told he insists that all his shirts be made of the finest silks.

Tailor 2: And that mirrors be placed on every wall so he can admire himself without having to strain his neck.

Tailor 1: He is a buffoon.

Tailor 2: His pride will be our fortune.

SD3: The two tailors approach the palace doors.

Palace Guard: Halt! No one is allowed beyond these doors.

Tailor 1: But we are the best tailors in the empire.

Tailor 2: Our cloth is so magnificent that fools cannot see it. It is invisible to them.

Tailor 1: Surely your emperor would be interested in that.

Palace Guard: Well . . . wait here.

SD1: The guard goes inside, closing the doors behind him.

 Scene 3

A Hallway in the Palace

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SD2: The palace guard, the Minister of Culture, and the Lord Chancellor stand together.

Palace Guard: They’re waiting outside the palace. They say that if you are stupid, their cloth is invisible to you.

Minister of Culture (amazed): Really?

Lord Chancellor (skeptical): Really?

Minister of Culture: Makes one sort of nervous, doesn’t it? Of course, Lord Chancellor, a wise person like you is sure to see the cloth.

Lord Chancellor: I must speak to the Emperor.

SD3: The Lord Chancellor walks into the throne room, where the Emperor is admiring a painting of himself.

Lord Chancellor: There are two tailors at the palace gates who claim to have cloth so fine that fools cannot see it. Clearly, it’s all nonsense.

Emperor: Bring these tailors to me at once!

Lord Chancellor: But Your Majesty—

Emperor: I must have a suit of this cloth for my annual appearance before my subjects.

Lord Chancellor: But—

Emperor: At once!

 Scene 4

The Royal Chamber

SD1: The tailors measure the Emperor as the Lord Chancellor looks on.

Tailor 2: I’ve got 34 inches for his sleeves.

Tailor 1: I’ve got 35 inches for his inner legs—so long!

Emperor: I pride myself on my long legs.

Tailor 2: We’ll have to weave yards and yards of cloth to make this suit.

Tailor 1: It’s going to cost three sacks of gold.

Tailor 2: At least.

Lord Chancellor: Three sacks of gold? That’s enough to pay for two castles and a moat!

Emperor: I could use a new moat. . . .

Tailor 1: Ah, but Your Majesty, you will have the finest suit in the empire.

Tailor 2: With a matching robe.

Tailor 1: And you will be able to identify all the fools around you simply by observing whether or not they can see your fine suit.

Emperor: That settles it. Lord Chancellor, open my royal treasury. Pay these tailors whatever they request.

Lord Chancellor: Are you sure? No one has ever heard of these tailors. I’ve asked around, and—

Tailor 2: Of course no one has heard of us.

Tailor 1: We work with only the most stylish royals—a small and elite group.

Tailor 2: That includes you, Your Majesty, of course.

Emperor: Absolutely. I will be remembered for all time as the best-dressed emperor who ever ruled.

Lord Chancellor: I fear, Your Majesty, that you will be remembered for all time as a fool.

SD2: The tailors gasp.

Emperor: How dare you insult me!

Lord Chancellor: Can you not see what is happening?

Emperor: Hand over the keys to the treasury. And if you appear in my court again, I daresay you will lose your head!

Scene 5

The Palace Sewing Room

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SD3: Morning sunlight streams through the windows of a room pleasantly crowded with mannequins, sewing tables, and rolls of velvet and silk in an array of vivid colors and patterns.

SD1: The tailors are relaxing in comfortable chairs. Their eyelids droop.

SD2: The Royal Dresser enters the room and clears his throat.

Royal Dresser: Ahem. The Emperor has sent me to check on the progress of his suit. As you know, tomorrow is his annual appearance.

Tailor 1 (stifling a yawn): Hmm? Ah yes, of course. Come in.

Tailor 2: We were just at the end of a short break; we were up working into the wee hours last night.

SD3: The tailors rise and go to an undressed mannequin at the center of the room.

Tailor 1 (staring at the mannequin): Isn’t this pattern sublime?

Tailor 2: The colors are so dazzling they hurt my eyes.

Tailor 1: This is by far the most fantastic fabric we have ever created.

SD1: As the Royal Dresser furrows his brow, the tailors begin to “sew.”

SD2: They snip the air with their scissors.

SD3: They draw their needles through nothing at all.

Royal Dresser (to himself): I . . . I don’t see anything. . . . Am I a fool?

Tailor 2: Worth every piece of gold you’re paying us, don’t you think?

Royal Dresser: Well, I—I’ve never seen anything like it. It’s truly . . . uh . . . indescribable.

Tailor 1: So what will you tell the Emperor?

SD1: The Royal Dresser bites his lip.

Royal Dresser (to himself): If the Emperor finds out I’m a fool, I’ll lose my job—or worse.

SD2: The Royal Dresser looks at the tailors and smiles.

Royal Dresser: I think this garment will exceed His Majesty’s wildest expectations.

Tailor 2 (smirking): Well said, my friend.

Tailor 1: Indeed.

Art by Michael Byers

The Emperor’s Origins

“The Emperor’s New Clothes” was first published in 1837 in the book Fairy Tales Told for Children by Danish author Hans Christian Andersen. Andersen based it on a Spanish folktale that was passed down orally for centuries before being published in 1335. Similar tales were told in a number of other countries, including England, India, and Turkey.

 

 Scene 6

The Royal Chamber

SD3: The Royal Dresser and a handful of courtiers watch as the Emperor paces.

Emperor: Where are my new clothes? The ceremony begins in 10 minutes.

SD1: The tailors burst through the door.

SD2: Their arms are outstretched, straining under the weight of imaginary garments.

Tailors 1 and 2: We’re here! We’re here!

Emperor: Finally, my clothes!

Tailor 1: Try them on, sire.

Emperor: Where are they?

Tailor 2: Can’t you see them? I’m holding them up.

SD3: The Emperor nearly faints. He walks unsteadily to his throne and sits down.

Emperor (to himself): This cannot possibly be.

SD1: The Emperor calls out to the Royal Dresser.

Emperor: Bring me my glasses.

Royal Dresser: Which glasses, sire? You have so many.

Emperor: The ones that help me see!

SD2: The Royal Dresser brings the Emperor’s glasses. The Emperor looks again at the new clothes. A horrified look crosses his face, but then he smiles and begins to nod.

Emperor: Oh yes, these clothes are magnificent. Simply magnificent! And the precision cut of this robe—why, it is just the right length.

Tailor 1: Robe? Those are the stockings.

Emperor: Oh, yes. I meant stockings.

Tailor 2: Just kidding. Of course that is your robe. We thought the fabric would bring out the color of your eyes.

Tailor 1: Your Majesty, would you do us the honor of permitting us to help you try on your new garments?

SD3: The Emperor begins to remove his clothes but then hesitates.

SD1: He looks at the tailors, who smile reassuringly.

SD2: The Emperor finishes undressing, and the tailors pretend to help him into his new clothes.

SD3: The Royal Dresser holds up a mirror.

Royal Dresser: Your Majesty, it’s astonishing how well these clothes suit you.

Emperor: You think so?

Royal Dresser: Without question! Courtiers, do you agree?

Courtier 2: Oh yes! If I may say so, your calves look splendid, sire.

Courtier 3: And your radiant royal complexion! You practically glow with power and might.

Emperor: Tailors, you are a credit to your profession. Your work is exemplary, and you have my gratitude.

Art by Michael Byers

The Emperor’s Idiom

An idiom is an expression that cannot be understood from the meanings of its individual words. Today “the emperor’s new clothes” is an idiom used to refer to a situation in which a large number of people praise something that they don’t actually like—or claim to believe something that they don’t actually believe—out of fear of going against popular opinion.
 

 Scene 7

Outside the Palace Doors

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SD1: The Emperor’s royal subjects clamor outside the palace entrance.

Palace Guard: Step back! You’ll all get a chance to see His Majesty’s new clothes—unless, of course, you’re a fool. Then you won’t see them at all.

Subject 1: I am a scholar. I have read a library’s worth of books! Surely I will see the clothes..

SD2: Trumpets blare as the Emperor steps out onto the balcony above the palace doors.

SD3: He wears his crown—and nothing else.

SD1: A shocked hush falls over the crowd.

Emperor: I proudly stand before you in my magnificent new clothes!

SD2: For a moment the crowd is silent, then a few people begin clapping. Soon the whole crowd is cheering.

Subject 2: He looks so regal!

Subject 1: So dazzling!

Subject 2: So splendiferous!

SD3: Just then, a small child points up.

Child: Look! The Emperor has no clothes!

SD1: There is a moment of horrified silence. And then, as if a spell has been broken, everyone begins to laugh.

Subject 1: Who knew he would be wearing his royal birthday suit?

Subject 2: He’s got goose bumps!

All: Hahahaha! Hahahaha! Hahahaha!

SD2: The Emperor runs from the balcony into his chamber, where the courtiers stand, their faces red with shame.

Emperor: I have been duped! Those scoundrels—why didn’t you tell me? Get the Lord Chancellor. Bring him to me. NOW!

SD3: The courtiers run out. A few moments later, the Lord Chancellor arrives.

Emperor: I truly am a fool. Why didn’t you stop me?

Lord Chancellor: I tried, but you didn’t want to listen.

Emperor: I am promoting you to my most senior position, for aside from a small child, only you among all my subjects had the courage to speak the truth.

Lord Chancellor: I am humbled and honored to serve you, as I have always been.

Emperor: Here is your first command. . . .

Lord Chancellor: Yes?

Emperor: Bring me some pants.

How to Speak Up

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Whether it’s standing up for someone getting bullied or disagreeing with people you love, speaking up can be hard. But it can also be important!

We talked to Amber Cabral, an author and speaker who helps companies create fair and inclusive workplaces, about how you can find the confidence and courage to speak up.

1. Accept your emotions.
It’s perfectly normal to experience nervousness or hesitation before speaking up. But those feelings, Cabral says, don’t necessarily mean that it’s dangerous or wrong to speak up. They just mean you’re having an intense experience.

2. Enlist allies.
If you’re unsure of yourself, first share your opinion or idea with a few people you trust. You’ll feel more confident about what you have to say after talking it through with the people you’re closest to.

3. Decide if you’re the right person.
Sometimes you may not be the best person to speak up about something, or it may not be safe for you to do so. If that’s the case, find someone you trust who might be better suited to speak up.

4. Focus on the outcome.
“Remind yourself that speaking up is one of the ways we change the world,” Cabral says. If you stay silent about a problem, you have to continue to deal with it. For example, if you’re upset that someone is saying your name wrong but you never tell them, they never get the chance to fix their mistake.

5. Don’t be afraid to be wrong.
Remember that it’s OK to be wrong. “Being open to feedback gives you an opportunity to grow,” says Cabral. If you think you have a solution to your town’s littering problem, present it to your local representative. If your idea is rejected, so what? Find out why and use that information to come up with another, better solution.

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Writing Prompt

Write a scene in which one of the Royal Dressers admits to a friend that they cannot see the clothes the tailors are working on. The Royal Dresser should explain why they are afraid to speak up, and the friend should try to persuade the Royal Dresser to do so anyway, using ideas from “How to Speak Up.”

This play was originally published in the December 2024/January 2025 issue.

Audio ()
Activities (7)
Quizzes (1)
Answer Key (1)
Audio ()
Activities (7)
Quizzes (1)
Answer Key (1)
Step-by-Step Lesson Plan

Close Reading, Critical Thinking, Skill Building

Essential Questions: Why is it difficult to go against popular opinion? How does fear affect decision making? When should you speak up?

Table of Contents

1. Prepare to Read

(20 minutes)

Do Now: Journal: Going Against the Group (10 minutes)

Think about a situation in which everyone you were with—friends, family members, classmates, teammates, etc.—wanted to do something that you didn’t want to do. Maybe everyone else wanted to play a certain game, watch a certain movie, or order a certain food. Did you speak up, or just go along with what everyone else wanted? In your journal, describe the situation and explain how you felt.

Preview Vocabulary (10 minutes)

Project the Google Slides version of Vocabulary: Definitions and Practice on your whiteboard. Review the definitions and complete the activity as a class. Highlighted words: clamor, exemplary, lavish, sublime, vanity. Audio pronunciations of the words and a read-aloud of the definitions are embedded on the slides. Optionally, print the PDF version or share the slideshow link to your LMS and have students preview the words and complete the activity independently before class.

2. Read and Discuss

(55 minutes)

Invite a volunteer to read aloud the As You Read box on page 25 or at the top of the digital story page.

Assign parts and read the play aloud as a class.

Divide students into groups to discuss the following Discussion Questions, which are also located in the Resources tab.

Discussion Questions (30 minutes)

1. The Emperor and the Lord Chancellor are introduced in Scene 1. What can you tell about each of these characters from this first scene? (character, inference) You can tell that the Emperor cares a lot about his appearance. He loves to dress up in lavish clothing and loves it even more when people compliment him. He is obsessed with his looks and surrounds himself with people who flatter him. As for the Lord Chancellor, he does not approve of the Emperor’s vanity. He thinks the Emperor puts too much money and effort into his clothing.

2. To manipulate someone is to influence or control them, often unfairly or dishonestly, and usually to your own advantage. How are the tailors able to manipulate the Emperor into hiring them? (character) The tailors are able to manipulate the Emperor through a combination of flattery and the promise of superiority. They prey on the Emperor’s vanity by praising and complimenting him. The idea of clothes that are of the finest quality and available to only an elite group appeals to the Emperor. But it is the promise of being able to identify fools that seals the deal for the Emperor; he thinks he will have a way of confirming his superior intelligence.

3. In Scene 5, why does Tailor 2 smirk when he says, “Well said, my friend”? (inference, tone) Tailor 2 smirks because he knows that his plan is working. He sees that the Royal Dresser is afraid to speak up, which suggests that others will be afraid to speak up as well. The tailor is also laughing, in a mean way, at the Royal Dresser’s choice of words. The Royal Dresser has just said that the new clothes will “exceed His Majesty’s wildest expectations,” and this is true: Surely the Emperor does not expect that he will not be able to see his new clothes.

4. In Scene 6, why does a horrified look cross the Emperor’s face? (inference) A horrified look crosses the Emperor’s face as he realizes that he cannot see the clothes the tailors made—which, he believes, means that he is a fool, as the tailors said fools would not be able to see the clothing. The Emperor’s fear of being exposed as a fool horrifies him.

5. Why doesn’t anyone speak up about the fact that they don’t see the Emperor’s new clothes until after the child says, “The Emperor has no clothes!” at the end of the play? What lessons can be learned from this story? (critical thinking, theme) No one speaks up because everyone is afraid of what might happen if they do. The Emperor’s inner circle is afraid of being fired if they criticize the tailors or the Emperor. Plus, no one wants to be thought of as a fool, so no one wants to admit that they can’t see the clothes; each person thinks everyone else can see the clothes because no one is telling the truth! No one trusts themselves to say what their own eyes are telling them. This story teaches a lesson about how important it is to speak up. It also identifies the danger of leaders surrounding themselves with “yes-men,” or people who say only what the leader wants to hear. Additionally, the story cautions against the human tendency to go along with popular opinion and explores our fear of being different.

Come back together as a class to read the informational text “How to Speak Up.” Then discuss the following question:

6. Based on the informational text “How to Speak Up,” what factors can make it difficult to speak up? Why is it important to do so anyway? (key ideas) According to the informational text, emotions can make it difficult to speak up—feeling nervous or upset can stop people from speaking up. A lack of confidence or a fear of being wrong can also get in the way. In some situations, speaking up may seem unsafe; in these situations, you should find a person who can safely speak up on your behalf. Speaking up is important because it can help bring about positive changes, solve problems, and help both you and others improve.

3. Write About It

(45 minutes)

Have students complete the Featured Skill Activity: Synthesis. This activity will prepare them to respond to the writing prompt on page 29 in the printed magazine and at the bottom of the digital story page:

Write a scene in which one of the Royal Dressers admits to a friend that they cannot see the clothes the tailors are working on. The Royal Dresser should explain why they are afraid to speak up, and the friend should try to persuade the Royal Dresser to do so anyway, using ideas from “How to Speak Up.”

Alternatively, have students choose a task from the Choice Board, a menu of culminating tasks. Our Choice Board options include the writing prompt from the magazine, differentiated versions of the writing prompt, and additional creative ways for students to demonstrate their understanding of a story or article.

Text-to-Speech