Illustration of someone with a flashlight checking out mansion during the night
Illustrations by Randy Pollak

The Strange Case of the Musgrave Ritual

A modern retelling of a classic Sherlock Holmes adventure

By Sarah McCarry | Based on “The Adventure of the Musgrave Ritual” by Sir Arthur Conan Doyle
From the April 2024 Issue

Learning Objective: to write a diary entry from the point of view of a character in the play

Lexile: 830L (captions & pairing only)
Other Key Skills: text structure, inference, author’s craft

Story Navigation

AS YOU READ

Think about how the different characters experience the events of the play.

Scene 1

recording studio, London, present day 

SD1: It’s a perfect summer afternoon. The sky is clear. 

SD2: The birds are chirping. The streets are full of people. 

SD3: But Dr. Jenny Watson isn’t among them. She’s inside a small studio, recording her true-crime podcast.

Dr. Jenny Watson: Today on Clued In, we have a very special guest. As many of you know, I assist the world-famous detective Sherlock Holmes. He’s solved dozens of crimes that puzzled the police—using only his astonishing powers of deduction. 

Sherlock Holmes: Hello, Watson. I hope you enjoyed your cereal after your 5-mile run.

Watson: How did you know I went running and ate cereal?

Holmes: Your “Baker Street Running Club” T-shirt, which you always wear on long runs, has cornflakes stuck to it.

Watson: Incredible. 

Holmes: Elementary, my dear Watson.

Watson: Our listeners are eager to hear from you. Let’s take a look at the chat, shall we?

Sleuthsayer221: Who is the most memorable person you’ve met in your work?

Time4Crime: Are you rich?

GetAClue: You’re not as clever as you think.

HolmesFan: Are there any cases that still haunt you?

Holmes: At last, a tolerable inquiry. In fact, I can think of one case, about the matter of the Musgrave Ritual.

Watson: Did you have trouble solving it?

Holmes: No, of course not. But there is one question about the case that remains unanswered.

SD1: Holmes settles back in his chair and closes his eyes.

 Scene 2

Holmes’s apartment, 10 years earlier

SD2: Holmes is sitting on his sofa, gazing into space. A loud knock sounds at his door. 

Holmes: Come in.

SD3: The doorknob turns, and an elegant woman hurries into Holmes’s living room. Her clothes are stylish, but her hair is disheveled and her eyes are wild. 

Sara Musgrave: Mr. Holmes, you have to help me! 

Holmes: The police can’t solve your case, and you have no one else to turn to.

Sara: How did you know?

Holmes: That’s the only reason people visit me. Tell me about the problems with your country estate, Ms. Musgrave, and I’ll see if I can help.

SD1: Sara’s mouth drops open in astonishment.

Sara: Have we met before? How can you know so much about me?

Holmes: Your clothes are expensive and perfectly tailored. Your shoes are splashed with wet mud. It rained in the countryside but not in London, which tells me you traveled to London this morning. The necklace you’re wearing is old and valuable, and the pendant is the letter “M.” The Musgraves are the nearest wealthy family with a country estate.

Sara: When you explain it like that, it seems so simple.

SD2: Holmes sighs and closes his eyes. 

Holmes: To be great is to be misunderstood.

Sara: If you already know of my family, Mr. Holmes, you know we’ve had our country estate for centuries. I am the eldest of my siblings, so after my father passed away, the house and land went to me—along with the poem.

SD3: Holmes opens one eye.

Holmes: Poem?

Sara: The eldest child of each generation of Musgraves receives the poem when we inherit the estate. Then we must memorize it and recite it as part of a special ritual.

Holmes: Can you recite it now?

Sara: We’re supposed to keep it a secret. I don’t know why though. It’s just a weird family tradition. (clears her throat)

It was his, and now it is ours

to keep in safety for his return.

In June the sun stood over the oak

and the shadow fell from the elm.

Step north by ten and by ten, east by five and by five, 

south by two and by two, west by one and by one,

and so under lies his helm.

Holmes: How curious.

Sara: I don’t see how it’s relevant. What’s more important is my best employees, Robert and Vera, have disappeared!

SD1: Holmes opens his other eye.

Holmes: Thank you for not boring me, Ms. Musgrave. You can tell me about your missing employees on the way to your estate.

Illustration by Randy Pollak

 Scene 3 

Sara Musgrave’s car, a country road

SD2: Sara is driving. Holmes’s eyes are closed.

Sara: Well, let’s see . . . what can I tell you? Robert Brunton is our property manager. He’s been with my family for decades. He’s a bit old-fashioned but loyal—or so I thought. Vera Howells is my marketing director. I hired her to help me turn the estate into a hotel. She is smart and reliable. 

SD3: Holmes does not respond.

Sara: I don’t like being alone at the house. At night, the darkness is intense, as though I can feel all my family’s ghosts. I can never fall asleep. Last Thursday was no exception. . . .

SD1: As Sara tells the story, the car fades away around her, until we see her standing in a massive stone hallway that smells of mold and time. 

SD2: Dimly flickering wall lights do little to push away the darkness. 

SD3: At the end of the hallway, a door stands open. 

Sara: Is someone there?

SD1: Sara walks through the door into a library. Heavy wooden shelves are crammed with leather-bound books. 

SD2: Robert Brunton stands over an oak desk at the far end of the room, looking through papers. 

Sara: Robert? What are you doing?

SD3: Robert jumps. A guilty look settles on his face.

Robert: Ms. Musgrave! I—I didn’t realize you were awake.

SD1: Sara strides across the room. She snatches the papers out of Robert’s trembling hands.

Sara: This is our secret family poem! Why are you going through our private things in the middle of the night?

Robert: I—I can explain.

Sara: I’m waiting.

SD2: Robert looks miserable. He says nothing.

Sara: You’re fired. Leave. Now.

Robert: I’ve been with your family since before you were born. At least give me some time to pack.

Sara (coldly): You have one week.

SD3: We return to Sara and Holmes in the car. 

Sara: The next day, Robert was gone. But it was so strange. His car was still in the driveway. His keys and wallet were in his room, along with all his things. 

Holmes: What did you do?

Sara: Vera was the only other person at the house, so naturally I went to talk to her. 

SD1: Again the scene melts away, and we see Vera sitting at her desk in the front office. Sara walks in.

Sara: Vera, have you seen Robert? 

Vera (uneasily): No. Why would I have seen him?

Sara: You look quite pale. Are you all right?

Vera: I . . . feel ill. I think I need to go home.

Sara: Very well. But do let me know if you hear from Robert.

SD2: We return to the car. 

Sara: That was the last time I saw her—I think.

Holmes: You think?

Sara: Well, that evening, I saw someone outside the house carrying a bag toward the lake. I thought it might be Vera, but I couldn’t be sure. When I ran outside, there was no one there. I called the police, and then I came to you. 

SD3: Sara turns down a long gravel drive. At the far end looms a grim-looking mansion.

Sara: Welcome to my country estate, Musgrave Manor.

 Scene 4 

Musgrave Manor

SD1: Musgrave Manor is crawling with police officers searching for Vera and Robert. Holmes turns to Sara.

Holmes: That giant old oak to the left of the house—that is the tree from the poem, I assume?

Sara (confused): I suppose so. It’s over 400 years old. 

Holmes: And the elm?

Sara: There used to be one halfway between the oak and the house, but it was struck by lightning. You can see the stump there.

Holmes: How tall was it?

SD2: A look of surprise crosses Sara’s face. Holmes sees it.

Sara: Sixty-four feet. It’s so strange—

Holmes: Robert asked you the same question.

Sara: Yes, just the other week. How could you have known that?

SD3: A police officer carrying a bag approaches Sara and Holmes.

Inspector Laura Lestrade: Ms. Musgrave, we thought perhaps your employees fell in the lake and drowned. It’s quite deep and cold. But this bag is all we found. 

Sara: That’s Vera’s bag! 

SD1: Inspector Lestrade opens it. Sara and Holmes peer inside.

Sara: It’s just a bunch of rusty metal. What was Vera doing with this old junk?

Holmes (to himself): Clever. But not clever enough.

Scene 5

a few minutes later

SD2: Holmes is pacing the lawn underneath the old oak tree, muttering to himself. 

SD3: Sara and Inspector Lestrade watch in bewilderment.

Sara: What do you think he is doing?

Lestrade: Who can say?

Holmes: One hundred north . . . 25 east . . . step north by ten and by ten, east by five and by five. 

SD1: Holmes continues to walk and talk. 

Holmes: South by two and by two, west by one and by one.

SD2: He stops in front of a large outbuilding near the main house. 

SD3: The door is unlocked.

Holmes: Aha!

SD1: Sara hurries to his side and Inspector Lestrade follows.

SD2: Holmes flings the door open. They rush into the building. 

Holmes: Someone has been here. Look, there are footprints in the dust. And this rug has been disturbed. Inspector, have your officers been in this building?

Lestrade: No, we didn’t even notice it.

SD3: Holmes stands for a moment, lost in thought.

Holmes: “And so under.” Of course! 

SD1: Holmes flings aside the rug, revealing a trapdoor that leads to a cellar. 

Sara: I didn’t even know this was here!

SD2: Holmes tugs at the metal handle. The door doesn’t budge.

Holmes: It’s too heavy for one person. Help me, Ms. Musgrave!

SD3: Holmes and Sara struggle with the trapdoor. At last, they heave it open. 

Lestrade (gasping): There’s a body down there!

Sara: It’s Robert! Is he . . . dead?

SD1: Holmes leaps into the cellar and holds his fingers to Robert’s neck.

Holmes: There’s a pulse. He’s alive. 

Lestrade (on her radio): Call an ambulance at once!

Illustration by Randy Pollak

 Scene 6 

the lawn, Musgrave Manor

SD2: Medics carry Robert out of the cellar.

Robert (weakly): Vera . . . she left me here to die!

Holmes: You’ll recover nicely. And it’s no less than you deserve!

SD3: The ambulance takes Robert away. Sara stares at Holmes.

Sara: Mr. Holmes, I don’t understand anything that just happened. How did you know where to find Robert?

Holmes: Elementary. Robert was clever enough to see that the poem from your family ritual is a map to a priceless treasure. He knew he couldn’t lift the trapdoor alone, so he asked Vera for help. 

Sara: Where is this treasure then?

Holmes: The police have already returned it to you. It’s in the bag they pulled from the lake.

Sara: That junk?

Holmes: Vera thought the same. That’s why she threw it in the lake as she fled the scene of her crime. But it is a treasure more priceless than gold. It is the ancient crown of King Charles I of England!

SD1: Sara gasps, and her face lights up with shock and joy. 

Sara: The helm from the poem is the crown! Of course! Many centuries ago, the Musgraves were close counselors to the royal family. When King Charles was arrested, he must have asked my family to hide his treasure. It’s obvious!

SD2: Holmes sighs.

Holmes (to himself): They always say that—after I’ve done all the work for them.

Lestrade: Why didn’t the king come back for it?

Sara: He couldn’t. He was executed.

Lestrade: So where is Vera then? 

Holmes: Long gone, of course. Perhaps she locked Robert in the cellar to die. Or perhaps the trapdoor fell shut and she chose to leave him there. 

Sara (sadly): Either way, leaving him meant she could keep the treasure for herself. 

Lestrade: Except when she finally examined it, she thought it was worthless and tossed it in the lake.

 Scene 7 

recording studio, London, present day

Illustration by Randy Pollak

Watson: Amazing story! But there’s one thing I don’t understand. How did you know about the trapdoor?

Holmes: Once I knew the height of the old elm tree, I calculated the length of its shadow. The poem told me where to start walking and how many steps to take.

Watson: Elementary, right Holmes?

Holmes: Geometry, my dear Watson.

Watson: What happened to Robert?

Holmes: He went to prison for attempted robbery. 

Watson: And Vera?

Holmes (shrugging): She was never found. I suppose she fled the country.

Watson: Mysterious. Let’s check in with our listeners. Lots of comments coming through the chat!

Time4Crime: Simple! Anyone could’ve solved that case.

HolmesFan: No way! Sherlock is a genius. 

SleuthSayer221: Maybe there was more treasure down there, and she’s living like a queen somewhere. 

GetAClue: Or maybe Vera fell in the lake and they never found her body.

Treasure4Me: I wouldn’t worry about Vera. I’m sure she’s doing just fine. 

Meet a Real Crime Scientist

The famous character Sherlock Holmes used his observation skills to solve crimes. Today’s crime-solvers use science.

ocme.nyc.gov

Craig O’Connor

A half-eaten pizza crust. An empty soda can. A plate of chicken bones. To you, this probably sounds like someone’s leftovers. But to Craig O’Connor, they could hold clues to solving a crime. 

O’Connor is a forensic scientist. He works at one of the largest public crime labs in the country. Every year, O’Connor and his team receive nearly 10,000 cases. Their job is to examine objects taken from crime scenes as evidence. We asked O’Connor to tell us about his important work.

Did you always want to be a forensic scientist?

As a kid, I liked science and solving puzzles. But it was watching crime shows on TV that got me interested in forensic science. After college, I got my Ph.D. in genetics. Then I moved to New York City to work in a crime lab.

What do you look for when examining evidence?

Often forensic scientists look for fingerprints. For example, if a car was stolen, they’ll check the steering wheel for prints. Our lab is mostly looking for DNA, a chemical structure found in your body. Everyone’s DNA is unique to them. [DNA can be left behind in skin cells, hair, or bodily fluids like saliva and blood.] If we find DNA, it can tell us who an item belonged to and that can help us solve a crime.

How do you find DNA?

Let’s say we’re studying a pizza crust. We look at the bite marks. Next, we use a cotton swab to collect a saliva sample. We put the sample in a test tube and add chemicals that will allow us to identify any DNA.

Is your job like it looks on TV?

When you watch forensic scientists on TV, they’re usually working on one case at a time. In real life, we often work on thousands. It can also take us 30 to 60 days to get results from testing. On TV, you see crimes get solved the next day!

Icon of a lightbulb

Writing Prompt

Imagine you are one of the characters involved in the case of the Musgrave Ritual. Write a diary entry as that character, describing the events of the story and your thoughts and feelings. 

This play was originally published in the April 2024 issue.

Audio ()
Activities (7)
Quizzes (1)
Answer Key (1)
Audio ()
Activities (7)
Quizzes (1)
Answer Key (1)
Step-by-Step Lesson Plan

Close Reading, Critical Thinking, Skill Building

Essential Questions: Who can we trust in life? How are mysteries solved? What makes a character memorable? 

1. PREPARE TO READ (15 MINUTES)

Listen to a Podcast (5 minutes)

  • Have students listen to The Sherlock Holmes Challenge podcast. (You may also want to share the transcript with them. Both are available in your Resources tab.) Then discuss how they did. Did they figure out the mystery? If so, how? 

Preview Vocabulary (10 minutes)

  • Project the Google Slides version of Vocabulary: Definitions and Practice on your whiteboard. Review the definitions and complete the activity as a class. Highlighted words: bewilderment, deduction, disheveled, forensic, helm, inherit, inquiry. Audio pronunciations of the words and a read-aloud of the definitions are embedded on the slides. Optionally, print the PDF version or share the slideshow link directly to your LMS and have students preview the words and complete the activity independently before class.

2. READ AND DISCUSS (55 MINUTES)

  • Invite a volunteer to read the As You Read box on page 14 or at the top of the digital story page.
  • Assign parts and read the play aloud as a class.
  • Divide students into groups to discuss the following Close-Reading and Critical-Thinking Questions, which are also located in the Resources tab.

Close-Reading Questions (25 minutes)

  1. What is the purpose of Scene 1? (text structure) Dr. Watson provides the audience with background information about Sherlock Holmes and his detective work, which is helpful to those unfamiliar with Arthur Conan Doyle’s stories. Holmes makes it clear that the play’s mystery took place in the past; which allows audience members/readers to mentally prepare to jump around in time. Lastly, Holmes provides the audience with an important piece of information—that “there is one question about the case that remains unanswered.” Audience members will likely keep this in mind throughout the play, trying to figure out for themselves what might remain “unanswered.”
  2. In Scene 2, Holmes correctly identifies Sara based solely on her appearance: “Your clothes are expensive and perfectly tailored. Your shoes are splashed with wet mud. It rained in the countryside but not in London, which tells me you traveled to London this morning. The necklace you’re wearing is old and valuable, and the pendant is the letter ‘M.’ The Musgraves are the nearest wealthy family with a country estate.” What can we infer about Holmes based on this passage? (inference) We can infer that Holmes is a brilliant and experienced detective. He instantly figures out who Sara is based solely on her physical appearance. He has incredible observational skills and uses them to make inferences about Sara’s identity. His knowledge of the weather, the value of jewelry and clothes, and the Musgrave family shows that he is well-informed on a variety of topics. 
  3. What is the purpose of the flashbacks in Scene 3? (author’s craft) The flashbacks show us the mysterious circumstances under which Robert and Vera disappeared. Additionally, we learn several important details that will have significance later in the play, such as the fact that Robert read the secret family poem. 
  4. In Scene 3, Sara describes Robert as “old-fashioned but loyal” and Vera as “smart and reliable.” Based on the play’s ending, how would you describe Robert and Vera? (character) Robert and Vera are conniving and deceitful. They try to take a treasure that does not belong to them, which is illegal. Their crime is especially reprehensible given that Robert has been with Sara’s family for decades. That said, it is Vera, not Robert, who is truly evil; her attempt to kill Robert reveals her villainous, wicked character. 
  5. In Scene 4, Holmes says to Sara, “Robert asked you the same question.” How does Holmes reach this conclusion? (inference) Holmes realizes Robert understood that the poem was a treasure map. Robert was asking for the height of the elm because once he knew the height, he could calculate the length of the shadow and figure out where to find the treasure.
  6. Based on the last line of Scene 7, what can we infer happened to Vera? (inference) You can infer that the person behind the screen name “Treasure4Me” is probably Vera—and that she is, as Treasure4Me suggests, doing just fine. She got away with her attempted crimes at the Musgrave estate and is still out there—perhaps committing other crimes.

“Meet a Real Crime Scientist” 

  • Read the interview as a class. Optionally, have students listen to the interview being read aloud while they follow along. The audio read-aloud is located in the Resources tab in Teacher View and at the top of the story page in Student View.
  • As a class, discuss the following Critical-Thinking Questions, some of which apply to the play and the interview.

Critical-Thinking Questions (10 minutes)

  1. What skills does Holmes use to solve the case? Answers will vary. Students will likely say that Holmes has incredible observational and inference skills. For example, with one quick look, he can figure out a person’s identity, personality, and interests. He does this with Sara Musgrave. Students may also note that Holmes excels at solving riddles, which involves analyzing information, using deduction, and thinking logically. He realizes that the family poem is a riddle pointing the way to a treasure; he then quickly solves the riddle, aware that finding the treasure will likely lead him to Robert and Vera. 

  2. Imagine Sir Arthur Conan Doyle was alive today and still writing Sherlock Holmes stories. How might Doyle incorporate modern-day forensic science into the stories? Answers will vary. Students might say that Doyle might have Holmes use fingerprints and DNA to solve his cases, or he might have Holmes work with forensic scientists.

3. WRITE ABOUT IT: CHARACTER (45 MINUTES)

  • Have students complete the Featured Skill Activity: Character. This activity will prepare them to respond to the writing prompt on page 18 in the printed magazine and at the bottom of the digital story page:

Imagine you are one of the characters involved in the case of the Musgrave Ritual. Write a diary entry as that character, describing the events of the story and your thoughts and feelings.

  • Alternatively, have students choose a task from the Choice Board, a menu of culminating tasks. Our Choice Board options include the writing prompt from the magazine, differentiated versions of the writing prompt, and additional creative ways for students to demonstrate their understanding of a story or article.

CONNECTED READING

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