Image of a jewel necklace with a city in the background during sunset
Illustration by Randy Pollak; Shutterstock.com (necklace)

The Necklace

A twisted tale of greed and glamour based on the classic short story by Guy de Maupassant

By Spencer Kayden and Mack Lewis
From the May 2023 Issue

Learning Objective: to analyze a central theme of a play through an examination of the characters and literary devices

Lexile: 870L (captions)
Other Key Skills: situational irony, figurative language, inference
AS YOU READ

Think about whether you have sympathy for the characters.

Scene 1

SD1: In front of the curtain is an old man in a worn coat. 

Old Pierre (to the audience): Bonjour! Welcome to Paris, 1875! But perhaps “welcome” is not the right word, for I am about to tell you a story that—if you have even a shred of compassion—will break your heart.

SD2: Old Pierre spreads his arms as the curtain opens on a small living room.  

SD3: The furniture and decorations are old and faded, but the room is cozy and neat. 

SD1: A young woman stands in front of a mirror. She has draped a silk handkerchief over the front of her plain dress.

Old Pierre: This is my wife, Matilda.

Matilda Loisel (curtsying to herself in the mirror): Merci, Monsieur. The pleasure is all mine. Oui, oui, this dress was custom-made for me. Oh, you are too, too kind. 

Old Pierre: Matilda had quite an imagination. 

SD2: Marie-Claire, the maid, enters.

Matilda: Do straighten up a bit. This room looks wretched! 

Marie-Claire: Madame, you have a perfectly lovely home. 

Matilda: Lovely? It’s nothing but dingy wallpaper and dilapidated furniture. How it tortures me to live in such squalor. Oh, my life is a mistake of destiny. Make it better! 

Marie-Claire: Madame? 

Matilda: Dust! Straighten! Fluff! 

Marie-Claire: Yes, Madame, right away. 

SD3: Young Pierre Loisel enters with a large envelope.

Pierre Loisel: I have something for you, my sweet!

SD1: Matilda tears it open and reads the card inside.

Matilda: “Monsieur and Madame Loisel, your presence is requested at the ambassador’s ball.” 

SD2: Matilda drops the card onto the table. 

Matilda: We cannot go.

Pierre: Darling, I thought you’d be pleased. 

Matilda: What am I to wear to such a fancy affair?

SD3: Two large tears run down Matilda’s cheeks. 

Pierre: My dear, what would a new gown cost?

Matilda: I could manage with . . . 400 francs. 

Pierre: 400 francs?! 

Old Pierre: We had so little money to spare for luxuries. But her sadness was too much to bear. 

Pierre: Of course, my love. I will give you 400 francs.

Scene 2

SD1: Pierre sits in a chair reading a newspaper. Marie-Claire is dusting. 

SD2: Matilda steps into the room, wearing a fancy dress. 

Marie-Claire: Why, Madame! How beautiful!

Pierre: Exquisite! Is this your new gown for the ball?

Matilda (sadly): Yes. But . . . I am afraid we cannot go.

Pierre: Why? Your dress is perfect.

Matilda: My neck is bare. I’ve no jewels.

Pierre: You could wear flowers. 

Matilda: Flowers! How humiliating it would be to appear so shabby among the most elegant women of Paris.

Pierre: What about your friend—Madame Forestier? She would lend you jewels, I am certain.

Matilda (brightening): A wonderful idea!

Scene 3

Shutterstock.com

Old Pierre: Matilda went to see Madame Jeanne Forestier.

Jeanne Forestier (opening the door): Why, Matilda, what a delightful surprise. What brings you here? 

Matilda: I have been invited to the ambassador’s ball. 

Jeanne: How glamorous! 

Matilda: Pierre went out of his way to procure an invitation and purchase me a gown. 

Jeanne: You must be thrilled. 

Matilda: In truth, I am ashamed. I haven’t any jewelry. My husband means well, but he’s merely a clerk.

Jeanne: Well, you simply must borrow something of mine. Please, come in.

SD3: Matilda steps inside. She looks around at Jeanne’s home. It is richly appointed, with ornate tapestries and beautiful paintings. 

SD1: Jeanne leads Matilda to a dressing table and presents her with a large box of jewelry.  

Jeanne: Choose anything you like.

SD2: Matilda runs her fingers over a pearl necklace, a gold brooch—and hesitates. 

Matilda: Is there anything else?

Jeanne: Keep looking. I am certain you will find something.

SD3: Matilda catches sight of a black satin case. Inside is a gorgeous diamond necklace. Her hands tremble as she lifts it and fastens it around her neck. 

Matilda (with hesitation): Would you lend this to me?

Jeanne (smiling): Yes, of course. 

SD1: Matilda departs with her sparkling treasure.

Scene 4

SD2: Matilda and Pierre arrive at the ball. The sumptuous furnishings and bright chandeliers dazzle their eyes.

Pierre: Monsieur and Madame Ambassador, may I present my wife, Matilda Loisel. 

SD3: Matilda curtsies deeply. 

Madame Ambassador: What a pleasure to meet a young lady of such poise and sophistication. 

Matilda: The pleasure is all mine, Madame. 

Gentleman: Pardonnez-moi. May I have this dance?

Matilda: Why, of course! You are too, too kind.

SD1: Matilda waltzes off.

Old Pierre: All evening, Matilda floated on a cloud of happiness. Many guests remarked on her radiance. It warmed my heart to see her so ecstatic. At four o’clock in the morning, she was finally ready to leave. 

Pierre: Here is your coat, my dear.

Matilda: That ragged old thing? Not here, Pierre!

Pierre: But it is bitterly cold outside.

Matilda: I’ll put it on a few blocks from here, where we cannot be seen.

Illustration by Randy Pollak

Scene 5

SD2: Back at home, Matilda stands in front of the mirror, admiring herself one last time. 

Marie-Claire: How was the ball?

Matilda: Magnificent! It was—(clutching her throat) The necklace! It is gone!

Pierre: Impossible!

SD3: They search the folds of Matilda’s dress, her coat, the couch cushions . . .  

Marie-Claire: Are you certain you had it when you departed the ball?

Matilda: Yes, quite certain. Madame Fifi praised it as I said good night. 

Pierre: If you lost it in the street, we would have heard it fall. It would have clinked against the cobblestones.

Old Pierre: We were dumbfounded. It was all a terrible nightmare. But how could we know our nightmare was just beginning?

Pierre: I will retrace our steps.

SD1: Pierre exits. The stage lights fade, except for a spotlight that shines on the mantelpiece clock. Its hands spin to indicate the passage of several hours.

SD2: The lights come back up as Pierre, his face drawn, returns to the living room, where Matilda and Marie-Claire wait anxiously. 

Pierre (shaking his head): I went to the police, the carriage companies, everywhere.  

SD3: Matilda is too stunned to speak. 

Marie-Claire: Whatever will you do?

Pierre: Matilda, you must write to Madame Forestier. Tell her the clasp on her necklace is broken and we are having it repaired. Maybe it will turn up. . . .

Old Pierre: But by the end of the week, we had lost all hope. I felt I had aged five years in five days.  

Scene 6

SD1: Matilda and Pierre enter a jewelry shop. 

Old Pierre: We went from jeweler to jeweler, searching for a matching necklace. 

SD2: Suddenly, Pierre’s face lights up.

Pierre: Matilda! This necklace looks just like it, oui?

Matilda: Indeed. It’s quite close! 

Jeweler: You have exceptional taste, Monsieur. 

Pierre: What does it cost? 

Jeweler: That necklace is 40,000 francs. 

Old Pierre: That number still rings in my mind like a funeral bell. 

Pierre: Would you consider 30,000?

Jeweler: The lowest I can go is 36,000. 

SD3: Pierre gulps. 

Pierre: Very well. Please hold it for us. We will return with the money in three days. 

SD1: Out on the street, Matilda turns to Pierre. 

Matilda: Where will we get 36,000 francs? 

Pierre: I have 18,000 francs left to me by my father. The rest we shall borrow. 

Matilda: From whom?

Pierre: Anyone. Everyone. Whatever it takes. 

Matilda: We will have to let Marie-Claire go.

Pierre: Yes, I suppose we can no longer afford her wages.

Old Pierre: We borrowed from friends, family, neighbors—even unsavory moneylenders. We scraped together the money and purchased the necklace. Matilda took it to Madame Forestier as though nothing had happened.

Scene 7

Old Pierre: From that moment on, we lived in abject poverty. I must say, though, that Matilda acted heroically. 

SD2: The lights come up on a tiny, drab attic apartment. 

SD3: Matilda enters, lugging a heavy bucket. 

Old Pierre: I took a second job. Matilda learned to do the cooking and cleaning herself. All her fine things were sold. 

SD1: Matilda begins scrubbing the wooden floorboards.

Old Pierre: Matilda haggled with the grocer and butcher for every halfpenny, but it was never enough. We always owed more. This life lasted for 10 years. 

SD2: Pierre enters with a half-wilted flower. 

Pierre: My sweet, today is the day. (He hands Matilda the flower.) We are out of debt at last.   

SD3: Matilda stands and looks at herself in a cloudy mirror. Her hair is unkempt, her hands coarse and red. 

Matilda: Do you remember that evening long ago? I am but a shell of that woman. 

Pierre: You are perfect to me. 

Matilda: What would have happened if those jewels had never been lost? How strange life is. How fickle.

Scene 8

SD1: Matilda is strolling along a beautiful avenue in Paris. She recognizes a vibrant-looking woman.

Matilda: Jeanne?  

SD2: Jeanne stares blankly at Matilda. 

Jeanne: Do I know you? 

Matilda: I am Matilda . . . Loisel. 

Jeanne: Matilda? How you have changed!

Matilda: We have had hard times since I saw you last, and many sorrows . . . and all on your account. 

Jeanne: On my account? Whatever do you mean?

Matilda: Do you recall the diamond necklace you lent me? 

Jeanne: That was so long ago.

Matilda: Well, I lost it.

Jeanne: But you brought it back. 

Matilda: We purchased another just like it. It took us an entire decade to pay for it.

Jeanne: Oh!

Matilda: It was not easy. We had no money. But it is paid for at last. We are finally free.

SD3: Matilda smiles proudly.

Jeanne (slowly): You bought a diamond necklace to replace mine? 

Matilda: Yes, it was nearly identical. 

SD1: Jeanne takes Matilda’s two hands in her own. 

Jeanne: My poor Matilda. How can I tell you this? That necklace was an imitation—a fake. It was worth 500 francs at most.

SD2: Matilda’s jaw drops.

Jeanne: How I wish you had told me the truth.

SD3: Matilda stands aghast as the curtain falls. Old Pierre hobbles to center stage. 

Old Pierre: How fickle life is. How fickle, indeed.

Writing Prompt

Do you find the characters likable, detestable, or something in between? Do your feelings about the characters change throughout the story? Answer both questions in a short response. 


This play was originally published in the May 2023 issue.

video (1)
Audio ()
Activities (11)
Quizzes (1)
Answer Key (1)
video (1)
Audio ()
Activities (11)
Quizzes (1)
Answer Key (1)
Step-by-Step Lesson Plan

Close Reading, Critical Thinking, Skill Building

Essential Questions: Can money buy happiness? How does society influence our choices? What do our possessions reveal about us?

1. PREPARING TO READ (30 MINUTES)

Do-Now: Reflect on Proverbial Expressions

  • Project the following prompt on your whiteboard for students to respond to in their journals or on a piece of paper: 
A proverb is a well-known saying that is considered wise or true. Consider the proverbial expressions below: 

“Appearances can be deceiving.”

“Money can’t buy happiness.”

“Honesty is the best policy.”

  1. Put each expression in your own words. 
  2. Describe a time when you or a fictional character you’ve encountered in a book or movie had an experience that supported one of these proverbs. 
  3. Are there instances when any of these proverbs are not necessarily true? Explain. 


  • Invite volunteers to share their responses. Sample responses for Question 1:

Appearances can be deceiving: Things can look different from the way they really are.

Money can’t buy happiness: True happiness comes from within, not from material possessions.

Honesty is the best policy: It’s always best to tell the truth. 

Watch the Video (10 minutes)

  • Watch the “Is It Ironic?” video at Scope Online. It will prepare students to identify situational irony in the play.

Preview Vocabulary (10 minutes)

  • Project Vocabulary: Definitions and Practice. Review the definitions and practice using the words as a class. Highlighted words: abject, aghast, appointed, dilapidated, fickle, sumptuous, unsavory. Optionally, print or share the interactive link directly to your LMS and have students preview the words and complete the activity independently beforehand. Audio pronunciations of the words and a read-aloud of the definitions are embedded in the interactive slides.
  • Project the Pronunciation Guide and play its audio at Scope Online to teach students how to pronounce the French character names and words in the play.

2. READING AND DISCUSSING (55 MINUTES)

  • Have a volunteer read the As You Read box on page 13 of the magazine or at the top of the digital story page.
  • Assign parts and read the play aloud as a class.
  • Break students into groups to discuss the following close-reading and critical-thinking questions.

Close-Reading Questions (30 minutes)

  • In Scene 1, Matilda says, “How it tortures me to live in such squalor.” Does she actually live in squalor? What does this statement reveal about Matilda? (character) Squalor is a state of dirty, unpleasant neglect. When Matilda says she lives in squalor, she is exaggerating. Her home is small, with old and faded furnishings, but it is “cozy and neat,” and she can afford to employ Marie-Claire, a maid. Matilda’s statement reveals that she is not satisfied with her life—that she pities herself and yearns for a life of glamour and wealth. Students may say that Matilda’s lack of satisfaction reveals that she is greedy, materialistic, vain, or shallow.
  • In Scene 3, what conclusions can you draw about Matilda’s values? (character) Matilda says that she is ashamed because she has no jewels. She describes her kind and loving husband as “merely a clerk.”  When her friend offers her a wide selection of jewels to choose from, she asks, “Is there anything else?” These lines show that Matilda highly values wealth and expensive items—perhaps more highly than she values her husband’s devotion or her friend’s generosity.
  • Does Pierre long for status as desperately as Matilda does? If not, what does he long for? (character) Pierre does not long for status, at least not as intensely as Matilda does. He seems to long for Matilda’s happiness. He goes out of his way to procure an invitation to the ambassador’s ball for her. He buys her an expensive gown when she says she needs one, even though they have little money to spare for luxuries. At the ball, while Matilda is basking in the admiration she is receiving from others, it warms Pierre’s heart to see her so happy. 
  • Reread Scenes 5 and 6. How does Pierre respond to the loss of the necklace? Do you think he does the right thing? Explain. (character) Pierre frantically searches for the necklace and then commits to a life of poverty so that he and Matilda can buy a replacement. Some students may say that he acted honorably by sacrificing to replace the necklace, while others may say that if he or Matilda had been honest with Jeanne, they could have avoided going into debt.
  • In Scene 6, Old Pierre says of the diamond necklace’s 40,000-franc price, “That number still rings in my mind like a funeral bell." What does Old Pierre mean by this simile? (figurative language) Old Pierre compares the number to a funeral bell because a funeral bell signals the end of a life, and the high price of the necklace signaled the end of life as Pierre and Matilda knew it.
  • In what way is the end of the play ironic? (situational irony) The play’s ending is ironic because Matilda and Pierre worked for 10 years to pay for an expensive necklace, only to find out that the original necklace was fake; their hard work and sacrifice were unnecessary. Also, Matilda’s desire to appear rich is what led her into poverty. 
  • At the end of Scene 7, Matilda calls life “fickle.” What does she mean? What does Old Pierre mean when he calls life fickle at the end of the play? (inference) Fickle means “tending to change suddenly and unpredictably.” Both Matilda and Old Pierre are commenting on how quickly their lives changed with the loss of the necklace. Both may also be suggesting that fate—rather than their own actions—was to blame for the misery they endured.

Critical-Thinking Questions (10 minutes)

  • At the beginning of the play, Old Pierre says that he is about to tell you “a story that—if you have even a shred of compassion—will break your heart.” Do you agree that this is a tragic story? Support your answer with text evidence. Answers will vary. Students may respond that the story is tragic because Pierre and Matilda spend 10 years struggling to pay off debt that they had no need to incur. Others may answer that the couple got what they deserved for lying and indulging Matilda’s vain desire to appear rich.
  • What could Pierre and Matilda have done differently? Answers will vary. Students may offer that Matilda and Pierre could have been honest with Jeanne. Matilda could have gone to the ball wearing flowers instead of jewels—or with nothing around her neck at all. The pair could have chosen not to attend the ball in the first place if they believed it would require them to spend beyond their means.
  • Revisit the expressions from the Do-Now. How do they apply to the play? 
    • “Appearances can be deceiving”: The idea of appearances being at odds with reality is developed throughout the play. Just as Matilda masquerades as a glamorous and wealthy person by wearing a new dress and borrowed jewels, the diamond necklace that appears valuable is just a convincing imitation. At the ball, people see Matilda as sophisticated, radiant, and poised, and she feels like the sparkling “treasure” she wears around her neck. Most of the time, though, she is consumed by an intense and selfish desire for wealth and finds no contentment in her life.
    • “Money can’t buy happiness”: The idea that money can’t buy happiness—and that the pursuit of wealth can lead to ruin—is a theme of the play. Matilda is miserable with what many would see as a good life and believes that only the trappings of wealth will bring her happiness. Pierre, while more generous and content with his station in life, thinks that spending money on luxuries is worth it for the happiness it will bring Matilda, so he is willing to live beyond their means. In an attempt to possess more—or to appear to possess more—they end up losing everything and spending 10 years of their lives in misery and debt. 
    • “Honesty is the best policy”: Had Pierre and Matilda told Jeanne what had happened, they would not have bought the expensive replacement necklace and therefore would not have spent their lives laboring to pay for it.

3. SKILL BUILDING AND WRITING (30 MINUTES)

  • Have students complete the Writing Planner: Pierre and Matilda. This activity will help them organize their ideas in preparation for the writing prompt on page 17 in the printed magazine and at the bottom of the digital story page.
  • Alternatively, have students choose a culminating task from the Choice Board, a menu of differentiated activities.

4. BONUS! THE PERFECT PAIRING

Teaching tips for exploring shared themes in The Necklace and “Good Enough”

Check out our fiction feature “Good Enough” from the November 2019 issue. We think it pairs perfectly with The Necklace.

Discussion questions to help students analyze, discuss, and synthesize the two works:

  1. How do Lisa, Carleen, and their friends affect Dori? How is this “A group” similar to the elegant women of Paris in The Necklace?
  2. What does the Orion shirt symbolize? What does the necklace Matilda wears to the ambassador’s ball symbolize?
  3. How are the shirt Dori receives on her birthday and Jeanne’s necklace similar? 
  4. What is shame? Describe the moments Matilda feels shame in The Necklace. Then compare the two moments Dori feels shame in “Good Enough.” 
  5. How does Dori feel about her family? How does Matilda feel about Pierre?
  6. Why do Matilda and Pierre lie? Why does Dori lie?
  7. How does Dori change over the course of the story? How does Matilda change over the course of the play?
  8. Was there a particularly important or moving moment in “Good Enough” for you as a reader? What about in The Necklace?
  9. A story’s theme delivers a message from the author to the reader, or teaches a lesson or moral. What theme(s) do “Good Enough” and The Necklace share?  
  10. Have you ever felt the way Dori and Matilda do about an item of clothing or other object? 
  11. How much does approval from others affect our daily choices? Give an example of a choice that might be affected by what others think or say.
  12. Did you like the stories? Did you prefer one story over the other? Explain.   


Culminating Tasks:

  • Create a hashtag theme statement for each story in no more than 50 characters. (Feel free to create more than one!) Here’s an example for the story “The Three Little Pigs”: #takingyourtimetodosomethingrightreallypaysoff
  • Write dialogue between Matilda and Pierre that takes place after Matilda’s conversation with Jeanne in Scene 8. 
  • You are Dori. Write a note to your mom explaining what the shirt helped you learn. 
  • Retell “Good Enough” or The Necklace in the form of a graphic novel in no more than 10 panels. Be true to the characters—how they speak, behave, and interact with each other.

5. CONNECTED READING

Text-to-Speech