*Stage Directors 1, 2, and 3 (SD1, SD2, SD3)
Cat, a British army nurse
Agnes, a British army nurse
Lizzie, a British army nurse
*Margaret Bourke-White,
an American photojournalist
Sailors 1 and 2
Captain
Nothing could stop daring photojournalist Margaret Bourke-White.
Learning Objective: to define trailblazer and apply the idea to a character in a historical-fiction drama
Scene 1
December 22, 1942, the Mediterranean Sea
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SD1: Lights come up on a small ship’s cabin. Four women—Cat, Agnes, Lizzie, and Margaret—are asleep in bunk beds.
SD2: The clock on the wall reads 2:10 a.m.
SD3: Suddenly, a thunderous explosion sounds. The ship tilts violently, throwing the women from their beds.
Cat: What was that?
SD1: Sirens and alarms begin to blare.
Agnes: I don’t think this is a drill.
Lizzie: We must get to lifeboat 12! Quick, like we practiced!
SD2: They hastily pull on boots and jackets and grab their emergency bags.
SD3: Margaret looks inside her bag to check that the small camera and extra lenses she packed are still there.
SD1: Up on the deck of the ship, the women step over hunks of twisted metal and broken wood.
Margaret (to a sailor): What happened?
Sailor 1: We were torpedoed by a German submarine. Our ship is seriously damaged.
SD2: Troops and nurses rush to their lifeboat stations.
SD3: Margaret gazes at the moon, then turns away from the lifeboats and climbs a set of stairs.
Margaret (to herself): There might be enough light.
SD1: A sailor stops her.
Sailor 2: What are you doing? Get to your lifeboat!
Margaret: I am Margaret Bourke-White, a journalist for Life magazine. I’m here by permission of the U.S. Air Force.
SD2: Margaret stands up straighter. The sailor shakes his head and rushes off.
SD3: Margaret gets out her camera.
Margaret: Too dark! If only it were sunlight instead of moonlight on those clouds.
SD1: The ship lurches beneath her. She grabs a metal railing.
SD2: A loudspeaker crackles to life.
Captain: Abandon ship! Abandon ship!
SD3: Margaret rushes back to the deck.
SD1: All around her, lifeboats are filling up with people.
SD2: She hits her shin on some metal and falls, crying out.
Margaret: Aaargh!
SD3: She picks herself up. Blood drips down her leg.
SD1: As the ship burns, Margaret sees hundreds of people scrambling to escape down rope nets flung over the side.
Margaret: I hope I’m still alive when the sun comes up so I can show the world what happened here.
Scene 2
1917, Bound Brook, New Jersey
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SD2: Thirteen-year-old Margaret and her parents sit in a cozy, cluttered living room.
SD3: Books and gadgets are strewn about. Jars of butterfly larvae sit on the windowsills. World maps line the walls.
SD1: Joseph sits in the corner, tinkering with a camera.
Minnie: She’s here. Margaret, come greet your great-aunt.
SD2: Margaret’s pet snake slithers through her fingers.
Margaret: Hello, Aunt Lynn.
Aunt Lynn: How you’ve grown, Margaret! (gesturing to the snake) I see you are still interested in all . . . this.
Margaret: I am! I am going to be a nature photographer. I’ll travel and help people—
Aunt Lynn: Women do not do such things.
SD3: Margaret looks at her mother.
Minnie: Come, Aunt Lynn, let’s have tea.
SD1: The two women go to the kitchen and start to whisper.
SD2: Margaret listens at the door.
Aunt Lynn: That girl talks nonsense. She should be focused on learning how to run a household, not silly pictures.
Minnie: We encourage Margaret to pursue all her interests. She’s very passionate. She wants to see the world.
Aunt Lynn: But a woman traipsing around the world taking photos? It’s preposterous!
SD3: Joseph looks at Margaret, who is staring at the floor.
Joseph: Let’s go develop the photographs from our walk. I’d like to see if that one of the praying mantis comes out.
SD1: Before leaving, Margaret pauses in front of a map.
Margaret (to herself): She’s wrong. I will see the world.
Scene 3
1928, a camera shop in Cleveland, Ohio
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SD2: Alfred Bemis is stacking boxes of film.
SD3: Margaret bursts through the door.
Margaret (out of breath): Hello! Could I borrow a camera? With film in it?
Alfred: Excuse me?
Margaret: Quickly, please! I’ve just seen something extraordinary!
SD1: Alfred looks at her curiously, then hands her a camera.
Margaret: Thank you! I’ll bring it right back!
Alfred: I trust that you will.
SD2: When Margaret returns a short time later, Alfred helps her develop the film.
SD3: In a darkroom, they dip each photo into a bath of chemicals, then hang it up to dry.
Margaret: This man in the park was giving the most impassioned speech. No one was listening, but dozens of pigeons were swarming around his feet. I had to capture it!
Alfred: You’ve really got an eye for this stuff, kid.
SD1: Margaret beams.
Scene 4
Three months later, the camera shop
SD2: Alfred and Margaret work in the darkroom.
Alfred: These photographs of the Terminal Tower are magnificent. You’ve captured the soul of Cleveland—the progress and industry and grit—all in one image.
Margaret: Thank you. But I still can’t get into the steel mill down in the Flats.
Alfred: Why are you so set on photographing that place?
Margaret: I think it’s beautiful—and mysterious. I mean, most people haven’t been inside, right? And yet steel is so important. It builds our skyscrapers, bridges, factories. Don’t you think people would want to see how it’s made?
SD3: Alfred hangs up another photo.
Margaret: And isn’t it my job as a photographer to show people what they can’t go see for themselves? To open up the world for them?
Alfred: I’d say so, yes.
Margaret: The mill owner says women aren’t allowed.
Alfred (smiling): When has that ever stopped you?
Margaret: Nothing attracts me like a closed door, Alfred.
Alfred: So go pry it open, kid!
Scene 5
A few months later, a newsstand in Cleveland
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SD1: Margaret reads a headline splashed above a photo of glowing steel being poured into a metal basin.
Margaret: “Girl’s Photographs of Steel Manufacture Hailed as New Art.”
SD2: Two men walk up to the newsstand. One of them reaches over and takes a paper. He holds it up for the other man to look at.
Man 1: Did you see these photographs?
Man 2: They’re incredible.
Man 1: Who is this Margaret Bourke-White?
Man 2: I heard she’s just a front for the man who really takes these pictures.
Man 1: I wouldn’t be surprised if that’s true. I can’t imagine a girl in a steel mill.
SD3: Margaret clears her throat and hands a business card to the man.
Man 1: Oh, uh . . . you . . . you took these photos?
Margaret: I did.
Man 2: Well, then, well done!
SD1: The man awkwardly tips his hat to her.
Margaret: Gee, thanks. Give me a call if you ever need a photographer. But I should warn you—it’ll be me who shows up. Not some man.
SD2: She leaves the men standing there, speechless.
Scene 6
Spring 1938, Life magazine offices in New York City
SD3: Margaret sits with Wilson Hicks, Life’s picture editor.
SD1: Dozens of photos are spread out on a desk.
Wilson: You’ve done it again! These photos of the Arctic are stunning. How’d you get this one of the icebergs?
Margaret: I hung out the door of a plane.
Wilson (chuckling): Of course you did. That’s why we call you “Maggie the Indestructible.”
Margaret: It was quite thrilling, really.
Wilson: Listen, Maggie. I have another assignment for you. As you know, Hitler has invaded Austria, and it’s only a matter of time before war is declared. We need you on the ground nearby.
SD2: Margaret nods.
Wilson: Life magazine has become a window to the world for Americans, and right now, that window needs to be facing Europe. People need to see what is happening overseas.
Margaret: I’ll go where I’m needed. If I can use my talents to make any sort of difference, I will.
Scene 7
December 10, 1942, an American air base in England
SD3: Margaret and General James Doolittle stand in a large airplane hangar.
SD1: The roar of jets can be heard in the distance.
Margaret: Are you ready to send me on a combat mission, General?
General Doolittle (sighing): We’ve spoken about this, Maggie. It’s not safe.
Margaret: Henry Shaw went out on the last mission.
General Doolittle: He did.
Margaret: Shaw is a fine photographer, but I have more experience. I’ve already been in a war zone. I was there the night Germany bombed Moscow. I have the scars to prove it—and the photographs.
General Doolittle: I’m sorry. It’s just not the place for you.
Margaret (mumbling to herself): You sound like my Aunt Lynn.
General Doolittle: What’s that?
Margaret: Nothing.
General Doolittle: I’m sending you to North Africa to cover the Allied troops there. You’ll be leaving by ship in a couple days—if you still wish to go.
Margaret: I do, sir. But why not travel by plane?
General Doolittle: Too risky. There may be heavy bombing in the air. We’re sending you in a convoy. It’ll be safer.
Scene 8
December 22, 1942, the Mediterranean Sea
SD2: On the torpedoed ship, Margaret gets to her lifeboat station just in time. The lifeboat is filled with water.
SD3: She and the rest of her group climb in anyway.
Agnes: It’s flooded from the torpedo splash.
Margaret: Will this boat stay afloat?
Lizzie: It’s our only hope.
SD1: Margaret hugs her camera to her chest to keep it dry.
Cat: Come on, let’s start bailing!
SD2: They remove their helmets and start scooping out water as the lifeboat is lowered into the sea.
SD3: A woman with a broken leg moans in agony.
SD1: Margaret notices the woman’s feet are bare.
SD2: She digs into her bag and finds a camera lens wrapped in socks. She hands the socks to Cat, who is helping the woman.
Margaret: Please, take these.
Agnes: Why are the other ships in the convoy sailing away?
Lizzie: If they help us, they could get torpedoed too.
Sailor 1: We’re on our own for now.
SD3: As the group rows away from the sinking ship, they notice a sailor clinging to floating debris.
Sailor 2: Over here!
SD1: They drag him into the lifeboat. The man shivers.
SD2: As the sun begins to rise, Margaret gets out her camera and starts to photograph her fellow survivors.
SD3: Hours later, a British plane flies overhead.
Sailor 1: They’ve found us! We’re saved!
SD1: Everyone cheers. Margaret snaps a shot.
Epilogue
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General Doolittle: Margaret risked her life many more times during the war.
Wilson: And she eventually became the first American female war correspondent to cover a combat mission.
Margaret: Being a war correspondent is a solemn task. We photograph many difficult things. Our obligation is to pass what we see on to others.
Wilson: After the war, she continued to work for Life. She photographed many historic moments and people.
Margaret: In the 1950s, I was diagnosed with Parkinson’s, a disease that affected my brain and movement. In time, my illness made it difficult to work.
Alfred: Margaret passed away on August 27, 1971, at age 67.
Hicks: The thousands of photographs she took are precious historical documents—and moving works of art.
Alfred: And it is through her photographs that Maggie the Indestructible lives on.
Writing Prompt
A trailblazer does something new or innovative that others follow. What makes Margaret Bourke-White a trailblazer? Answer this question in a well-organized essay or slideshow. Use text evidence.
This play was originally published in the March 2023 issue.
Essential Questions: What makes someone courageous? How does technology affect communication?What makes someone a trailblazer?
1. PREPARING TO READ (20 MINUTES)
View a Slideshow (10 minutes)
Preview Vocabulary (10 minutes)
2. READING AND DISCUSSING (45 MINUTES)
Close-Reading Questions (20 minutes)
Critical-Thinking Questions (5 minutes)
3. SKILL BUILDING AND WRITING (30 MINUTES)
4. CONNECTED READING